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Tag Archives: OCD
15 years at Discogs
So today is my 15th Oggsday. I’ve been a member of discogs.com for a decade and a half. It has become as much a part of my daily online regimen as checking my email or Twitter feed. No other site has grabbed my attention in the way that Discogs has, nor has any other online resource infuriated me in the same manner. Discogs is as fascinating as it is frustrating. Now, if this sounds somewhat familiar, then you’d be right: I used a similar introduction for my 10th Oggsday. Read that article first to gain insight into how it all began and how things developed during my first decade there. What’s happened since? Which features and improvements have been introduced? Continue reading
A thousand contributions
Last night I made my 1000th contribution to the Discogs database. It’s a landmark achievement. One thousand new audio entries. It’s also baffling why it took almost 12 years to get to this stage. Continue reading
Cassette Project 1: Feeding the monster
That’s it! Enough! I’ve had it with tapes for a while. I added another batch of regular audio tapes into that database monster named Discogs. It needs to be fed. Needs more metadata. Yum-yum! Continue reading
One decade at Discogs
I’ve been a member of discogs.com for a full decade. It has become as much a part of my daily online regimen as checking my email or Twitter feed. No other site has grabbed my attention in the way that Discogs has, nor has any other online resource infuriated me in the same manner. Discogs is as fascinating as it is frustrating. Continue reading
The Archivist’s Dilemma
I am a collector because I collect a particular kind of cassette. I am an archivist because I disseminate and publish facts and data which future generations might find useful. The (meta)data ends up in a database called Discogs. Scans end up in my personal stash, and the cassettes end up in the trash. Nobody wants those, they’re just plastic matter. But what of the audio on those tapes, the gist of it all? Let corporate greed ensure that the majority of “European” recordings will survive for future generations to gush over. Continue reading