Indecision knows no boundaries.
Two years ago I wrote about how my tape collection had, as part of the process of elimination and digitization, actually ballooned to more than tenfold its original size. Wheat and bran had been separated from the chaff — although no negligible amount of the former has been dropped off on my desk since then.
Spurred on by Discogs now finally supporting all manner of record companies, manufacturers, studios and related entities (beyond mere labels, irrespective of how we used to fandangle them), I’ve begun entering that serendipitous stockpile of cassettes into the database.
At first I just ploughed through a choice selection to test the new fields and features, and method has slowly emerged from the initial randomness: “Oldies” are now largely processed, and Polish and Indonesian pirate tapes are also dealt with.
