My Ravaged Ears: The Sequel

tapewall-vu_header

Or: Cassette Project #1 (Another Reprise)

As I wrote in the previous blog posting, Austin Chapman starts with a clean slate.

He has the benefit of exploring new sounds and new music through his new ears based on  its reputation and the recommendation of others. Whichever sonic avenues he chooses to explore will be off-ramps from those original tracks he’s been recommended. He will be listening to a lot of good stuff, no doubt, but he will be taking a few wrong turns along the way, too.

Austin doesn’t know this yet. His taste has yet to be defined.

Not so with me: My taste is settled, my preferences defined. I know what I like, and like most people I’ve long learnt to predict the audio contents based on visual cues such as packaging and text. Not only is this skill useful, I’ve honed it even further by forcing myself to listen to more music over the last 15 months than you can shake a baton at.

I’ve been exploring new music by listening to old recordings. Gratis.

There was no need for services like last.fm, drip.fm or Spotify to “suggest” what I might like (or might like to buy) based on past listening or purchasing habits. I didn’t have to be online to do so, nor do I need to waste time managing a bunch of files or synchronising devices so I can listen to compressed audio through pathetic little ear buds or tinny speakers via an overpriced phone while sitting in a noisy train all the while worrying about dropped connections, my precious data plan or when I last charged my iTablet.

But not me. I’m smarter than that, I worked it out. I went retro and asked for tapes.

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My Virgin Ears

unknown - unlistened - unheard - undecided

The other day I happened across a wonderful article about a young man named Austin Chapman. Austin is deaf, and thanks to new hearing aids he is now able to hear music — for the very first time.

Go on. Read the article, and then come back here.

Personally, my mind is boggled about what must be going though his head right now. The story and his situational experiences have me utterly rattled.

Really, I’m dumbfounded: Just imagine for a moment that you can make out some muffled speech and environmental noise — but you’ve never heard music. Imagine that there is no such thing. Music just doesn’t exist in your world.

And suddenly you’re exposed to it for the first time.

What would it sound like?

How would you perceive a lengthy symphony with several movements compared to, say, some smooth jazz, a simple Bob Dylan ditty or Brian Eno’s ambient work, let alone a barrage of Front 242 or some Scandinavian death metal? What would strike your immediate fancy? How would the music stand up on its own, with none of the familiar and stereotypical visual cues to distract from the basic audio experience? How do you detail different media (vinyl vs. MP3) or playback systems (floor-standing Hi-Fi speakers vs. headphones) with no prior experience — or wouldn’t any of it matter as you delve into the raw tonal emotions conveyed by the sounds and the performance themselves?

In fact, how much unconscious prejudice is there in the music we listen to?

Can you like Tchaikovski if you’re a homophobe? Could a blind KKK member enjoy Stevie Wonder’s music? Will Austin Chapman confirm that Justin Bieber is a whiny little shit?

What is it that shapes and defines your playlist? The impact of music on our very fabric of being, our hair style and dress sense, the company we keep and the circle of friends we mingle with, our cultural identity, our philosophies and political views — the very way we define ourselves — was and is, in some minutiae, shaped by the sounds we’ve grown up with as well as the music we listen to today, and the old music we listen to today is based on past experiences and childhood memories.

Austin starts with a clean slate. He’s a young adult of 23 and therefore has few leanings towards the music that was popular during his formative years; he will have outgrown any bias against certain genres that, well, for kids and teenagers just aren’t “cool”.

So, unsure where to start, he consulted the oracle of Reddit and was overwhelmed by suggestions covering the full spectrum from Amadeus to Zeppelin.

One question that comes to mind at this point is how his age influenced his experience and the recommendations made by the counsel of Reddit over and above his final preferences. Would people have recommended different music if he was 20 years older — like I am? Continue reading

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A response from the barrister

While writing the previous blog post about the physical, honest-to-goodness paper letter from a 419 scammer that had come my way, I also attempted something resembling an email conversation with the perpetrator.

Admittedly, I hadn’t laid down much of a plan for a prepared attack or proper scambait; all I did was send a naïve email to find out more about the poor relative who had supposedly died.

And I casually asked about the money. (I obviously used a dummy email account created specifically for these purposes which, by virtue of the name used, can even muster as a minor IQ test for the recipient.)

Sent to Kate K. Moroka’s kkmoroka@mail.kz freemail address, I enquired (in sodding poor English) about the dear lost relative who had perished and, of course, how to best expedite the transfer of the inheritance that’s burning a hole in her vault.

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The letter from the barrister’s wife

Ah, spam!

Don’t we just love it. Everybody gets to taste some when it does slip through our filters to find its way into our mailboxes before we dutifully delete it without as much as sparing another thought about its contents and origins.

It’s probably fair to say that most netizens today are savvy enough to recognise Australian bank account intrusion warnings, British lottery win notices, Chinese Rolex fakes, Nigerian surprise inheritances, Russian bride offers and little blue American pills for what they are: spam, phishing attempts, unsolicited mail. Nothing new, old hat.

Faux Nigerian Google page

We’ve all but forgotten that it’s our very own greed which invites conniving criminals and those who prey on our paranoia and our desire for quick ‘n easy monetary windfalls, sexual longevity with hot babes, eternal youth and beauty, and the quest for the perfect figure.

Our own technical advances allow mass-mailers and meat puppets to make it so efficient for crooks that even if only a fraction of a percent of recipients falls victim to the scam — well, then it was profitable and it was worth it. Luckily, spam filters have advanced to the point that these percentages are diminishing.

If you’ve been online for as long as I have then there’s little that surprises you anymore where this scourge is concerned. But a few weeks ago something managed to do exactly that: the old 419-scam arrived via snail mail!

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Marketing FAIL: Du darfst

Or: You may. But should you?

A couple of weeks ago I was stuck behind the TV when programming was interrupted by the usual barrage of messages from their sponsors. And suddenly, amongst all the noise, a female voice proudly proclaimed in her German accent, “Fuck the diet!”

Huh? What? Did I hear right?

At first I was a little taken aback by the crass statement and wrote it off as a mere glitch in the matrix but when the ad came up again sometime later I got concerned. After all, this was early evening TV, not quite bedtime for the little ones, yet still unsuitable — not only for public TV, but also for the products being advertised: A range of slimming food products by a Unilever brand called “Du darfst” (English: You may).

Oh well, local TV is littered with garbage and gutter language by default, and the odd bit of cussin’ and swearin’ usually don’t bother me none. “Fuck it,” I figured and promptly forgot about it.

A few evenings later the wife comes up to me, reporting on the same shocking slogan she had heard earlier that day. She was equally unimpressed and couldn’t understand why (being a local product) they simply couldn’t use the German equivalent of “Vergiss die Diät” or “Scheiß’ auf die Diät” — if they must insist on being vulgar.

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Rewind: 2011

As the end of 2011 approaches, now would be a good time to reflect on the year that was.

If you’re reading this you may have noticed that the world didn’t end in 2011 (unless you’re Harold Camping) — it’ll only end next year (if you’re a Mayan). But this statement isn’t entirely true: to some, their existing world view did end after certain governments were toppled during the “Arab Spring” as mankind attempts to break free from the shackles of religion and political tyranny. A new country was formed in the shape of South Sudan, and Anders Behring Breivik put the Norwegian island of Utøya on the map.

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There can be only one

Or: The day after the music died

It was a dreadful morning, 20 years ago today, when my mother burst into tears and into my room with the following news:

“Freddie Mercury died last night.”

The newspaper carried this short article on the front page’s bottom fold:

Newspaper article 25-11-1991

Well, that’s that then.

I’ll never see Queen perform live.

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Cassette Project #1: A Reprise

Indecision knows no boundaries.

Two years ago I wrote about how my tape collection had, as part of the process of elimination and digitization, actually ballooned to more than tenfold its original size. Wheat and bran had been separated from the chaff — although no negligible amount of the former has been dropped off on my desk since then.

Spurred on by Discogs now finally supporting all manner of record companies, manufacturers, studios and related entities (beyond mere labels, irrespective of how we used to fandangle them),  I’ve begun entering that serendipitous stockpile of cassettes into the database.

5 x 5 cassette tape grid

At first I just ploughed through a choice selection to test the new fields and features, and method has slowly emerged from the initial randomness: “Oldies” are now largely processed, and Polish and Indonesian pirate tapes are also dealt with.

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