About four months ago the sites Bookogs, Comicogs, Filmogs, Gearogs and Posterogs closed down.
What, you may ask, were Bookogs, Comicogs, Filmogs, Gearogs and Posterogs?
Bookogs, Comicogs, Filmogs, Gearogs and Posterogs were offshoot database projects by (and for the users of) Discogs (hence the names) launched successively starting in 2014. They provided some of the same features as Discogs (the audio recordings database) but (as their names suggest) catered specifically for the cataloguing of books, comics, films, audio gear, and posters, respectively.
In fact, requests for such facilities had long been voiced at Discogs, and when they finally did launch, its users (collectors and trainspotters that we are) were utterly delighted.
Posterogs is a user-built database of posters from the team behind Discogs. We are on a mission to create the most comprehensive database of posters in the world. The Posterogs database is currently focused on music posters, such as gig and concert posters, album release promo posters, music festival posters, as well as film posters.
Sounds promising, doesn’t it?
Indeed, the ventures were quite ambitious.
With your help we’ll list every turntable, audio recorder, amplifier, effects pedal, microphone, and every other piece of audio gear conceived. Any equipment that records, amplifies, mixes, or reproduces audio, belongs here.
Discogs members piled into the systems with sheer gusto in order to populate them with data or simply to goof around and test their limits. Features and supporting guidelines gradually got refined to their specific requirements. It didn’t take long before they had created and uploaded thousands of entries (read: metadata points) and images.
Crowdsourcing works; people want to contribute and share. It’s in their nature.